May
Eléonore Didier
Paris, Possible
31 May 2009 | Sunday 18:00
Çatı Stüdyosu
Duration: 90'
Full: 18 TL Discount: 12 TL
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Paris, Possible is the culmination of a solitary research project which was realized throughout a year. Being a single mother of more than one child who also have to work, destined the temporal expansion of the project schedule as well as its subject matters. The notions of disappearance, of surface and of infinity were the under-lying threads of these explorations of what it is to be a body - female body - and how it is embodied. Paris,Possible invites the spectator to experience his/ her gaze in a time-space that is sometimes multi-dimensional and sometimes flat. The language of the body via choreographic writing, the relation of the body to its environment via scenography, and the relation of the body to its protective sheath is explored. The temporal dynamic of the research is revealed by the change and transformation of matter and the exhausting of the notion of duration. Marking the dancer and the spectator in their radical differentness, the solo produces the accomplishment of seeing - the gaze, rather than the object.
Paris, Possible is the culmination of a solitary research project which was realized throughout a year. Being a single mother of more than one child who also have to work, destined the temporal expansion of the project schedule as well as its subject matters. The notions of disappearance, of surface and of infinity were the under-lying threads of these explorations of what it is to be a body - female body - and how it is embodied. Paris,Possible invites the spectator to experience his/ her gaze in a time-space that is sometimes multi-dimensional and sometimes flat. The language of the body via choreographic writing, the relation of the body to its environment via scenography, and the relation of the body to its protective sheath is explored. The temporal dynamic of the research is revealed by the change and transformation of matter and the exhausting of the notion of duration. Marking the dancer and the spectator in their radical differentness, the solo produces the accomplishment of seeing - the gaze, rather than the object.
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